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Die Zeit um 1900 ist keineswegs nur durch rasante ästhetische Innovationen geprägt, sondern auch durch eine große Verbreitung, Verehrung, Neuinterpretation und produktive Rezeption kanonischer Werke. Diese Werke - das ist der Grundgedanke der hier versammelten Aufsätze - führen zwar ein langes Leben, müssen jedoch in jeder Zeit und mitunter für verschiedene gesellschaftliche Gruppen neu aufgelegt, herausgegeben, ausgestattet und vertrieben werden. Denn nur so bleiben kanonische Werke auf dem Buchmarkt erhältlich, werden rezipiert und können in ihrem kanonischen Status bestätigt werden. Das Abstraktum "Werk" realisiert sich in jeweils konkreten Ausgaben, die von einem Herausgeber veranstaltet und vom Verlag veröffentlicht werden. Herausgeber und Verlag konstituieren den Text, versehen ihn mit Paratexten, statten den Band aus, lassen ihn drucken, bewerben, vertreiben und schaffen so eine neue dingliche "Präsentation" des Werks. Dieser Prozess soll in seiner Relevanz für die Herausgeber, Autoren bzw. Autorbilder, Werke, Leser und Verlage einer großzügig verstandenen "Jahrhundertwende 1900" im deutschsprachigen Bereich erfasst werden.
German literature --- Canon (Literature) --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- History and criticism. --- History and criticism --- Reception history. --- edition philology. --- media science. --- turn of the century 1900.
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Con foco en la poesía española, en tanto recorte ejemplar que, en condiciones de censura y persecución, ha dado lugar a figuras de alto rendimiento internacional como Federico García Lorca o Juan Ramón Jiménez, este volumen reúne contribuciones de especialistas que examinan procesos específicos que determinan la (no) circulación internacional de poesía.
Spanish poetry --- Spanish American poetry --- Literature and globalization. --- Canon (Literature) --- Poesía española --- Poesía hispanoamericana --- Literatura y globalización. --- Canon (literatura) --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- Globalization and literature --- Globalization --- Spanish literature --- Appreciation. --- History and criticism. --- Translations --- Apreciación. --- Historia y crítica. --- Traducciones --- History and criticism --- Poetics. --- Poetry --- Technique
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Hungarian literature --- Cross-cultural studies. --- Canon (Literature) --- Literature --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Comparison of cultures --- Inter-cultural studies --- Intercultural studies --- Trans-cultural studies --- Transcultural studies --- Culture --- Ethnology --- Social sciences --- History and criticism. --- Appraisal --- Evaluation --- History and criticism --- Methodology
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This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers.
English poetry --- Romanticism --- Literature and society --- Poetry --- Anthologies --- Canon (Literature) --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- Chrestomathies --- Collected papers (Anthologies) --- Collections (Anthologies) --- Papers, Collected (Anthologies) --- Readings (Anthologies) --- Poems --- Verses (Poetry) --- History and criticism. --- History --- Publishing --- History and criticism --- Philosophy
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A beautifully illustrated guide to more than 75 of the world's most celebrated, rare, and seminal books and handwritten manuscripts ever produced, with discussions of their purpose, features, and creators. From ancient masterpieces such as The Art of War, written on the leaves of bamboo, to the stunningly illustrated Birds of America, to Chairman Mao's Little Red Book, [this book] delves into the stories behind the most incredible tomes ever produced, offering an insight into their wider social and cultural context, and is chronologically ordered to demonstrate the synergies between the growth in human knowledge and the bookmaking process. --DK Publishing
Best books --- Books --- Books and reading --- History --- 09 <036> --- 09 <036> Handschriften. Oude en merkwaardige drukken. Curiosa--Gidsen. Bijzonderheden m.b.t. het boek --- Handschriften. Oude en merkwaardige drukken. Curiosa--Gidsen. Bijzonderheden m.b.t. het boek --- Books - History - Pictorial works --- Books and reading - History
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